Things aplenty to play with
For various reasons that I’ve nattered about previously, I realised about a year into working on my first build, Hogepotche Hall, that I’d make a mess of any serious dollhouse kit so never felt comfy committing to buying one. Instead I started collecting a few smaller projects that would give me the freedom to make my own mess and, now I’ve got more of the workroom sorted, I’ve been going through what I think of as ‘my homework’. Can’t leave the work undone, can I?
Sitting around for the last seven or eight years or so, and mostly covered in many layers of dust, there’s at least one second hand room box left from the original purchase for Hogepotche, three sizes of new room boxes (10″ through to 20″)
There’s also one more cardboard book box,
And, of course there’s always more small ornamental boxes, which I find very hard to resist, each with its own personality. It would be great to create some different scale scenes with one or two of these – like the three already worked on and whose scenes are in no particularly sensible scale at all.
I have a few modern glazed boxes too, sold as display boxes, or for storing this and that. They might be good homes for a piece of furniture or wrong scale items I can’t part with but which otherwise will have no future home. I’m thinking perhaps a garden scene, or outsized floral display, a chair loaded with everything but a seated person, or a modern sideboard that has a touch of the Miss Haversham.
The modern boxes will not be big enough for a 50s matchbox three-piece suite with its original fabric, lovingly made fifty plus years ago. Because of the size of the sofa and chairs, they don’t fit in anywhere, but I find their survival and good state quite remarkable and it would be lovely to see them in a purpose-made scene. Probably needs a whole new purpose-made box for it though.
There is a full kit
The Market Cross is the only fully designed kit project I bought. In fact I bought two at the time, one for a friend and one for me and we were going to work on them together, but that never happened.
This is probably where I should start. Not too sure that it still has all its pieces or if I’m really truly going to do it, but, if I do, I’ve an inkling that it will end up tampered with horribly, with changes to this and that and a possibility of additions here and there. Would want to set it back to a time nearer the era in which it began, rather than Victorian or contemporary, so it’ll be a return to the medieval/Tudor period. So much more forgiving to my wobbly woodworking and finishes. Looks like a return to the egg box bricks 🙂
Why might the Market not get done?
It’s sadly attached to my now departed friend and I really, absolutely don’t want to start another huge construction after the last two; no room and I’m getting too old. Once started I fear that I won’t know when to stop with the market theme. That’s what comes from looking on-line at the buildings in Weald and Downlands Museum today in an effort to collect reminders of a medieval style market street and market hall. So many ideas shot around my brain I think it fused.
While I wrestle a few of these ideas under control, there’s definitely a particular small wooden box I’d like to work on now; oak and very Utility/Deco in look, and, as the 50s world is still rattling round in the corners of my head, it makes sense to do it in combo with the thinking about the Market. If that also gets started I can swap back and forth – while one item dries out I can mess about with the other.
More than plenty to keep me out of various types of mischief and drop me in the glue pot.
Carrie Becker, the Artist Behind “Barbie Trashes her Dreamhouse” so tempted by the idea of doing this type of room, any room