We live at the foot of a hill and, at this time of year, the sun only comes over for about half-an-hour a day. Can make working in the Potting Shed awkward with bright light and deep shadow, but it is so welcome. Won’t build up to an hour until mid February. Hey ho.
Back to practicalities
Walls and electrics and what the … is going on?
The sitting room needs to take a big leap and have a couple more walls added plus the flooring. But the wallpapering needs doing at the bay end whilst there’s still elbow room to see it head on.
And then there’s the lights. Am only going for token lighting around in each room. Just a bit of a glow. There are so many original (usually 1:16) non-working and some working lights for dolls’ houses of the period that the aim is to use a mix as affordable. (No longer making the wall lights, by the way, seems very little point.)
Sticky brain here forgot to dig the track for the lighting below the floor before adding it. Fortunately it’s a self-adhesive wood flooring from Hobbies which is strong and (as long as you don’t let it turn and stick to itself) is fairly compliant when re-lifted, which is why I chose to use it over the electric run.
Up it came and I dug away into the card and foam floor like crazy, added a bit of full size electric sheathing to run the wiring through, punched holes in the chimney sides to take the wall lighting wires into that area etc. The “plan” is to run these two wall lights up the chimney to the bedroom above, add in the lights there all into a three-gang type arrangement and then run its wire back down the chimney, under the sitting room floor and pop on a plug there which can then either go to a battery to run the cake slice bit by itself or it can join in the main run for the rest of the house. Theory seems sort of OK but I’ll let you know if it works or not. Even with reduced lights it will mean wiring a couple of plugs to two lights, but as chandeliers have many bulbs to one wire it’s much the same manoeuvre.
I’ve been putting it off:
- because at any scale it’s never easy
- the walls here, particularly around the windows are as rough as anything
- there’s too much to go wrong
OK, it won’t be earth shattering, but it will be oh so annoying.
And so wrong it went. I’ve put it on upside down. As started with the hardest, shaped end am not going to take it off. I can live with it. Do you get the odd feeling that this whole enterprise is trying to tell me something?
Am applying the wallpaper onto 1.4 mm card making wall panels which are easier to handle I hope, and mounting them on wood strip on the walls. This will allow a small space for wires to run when necessary and totally cover up the disgusting unevenness of the internal walling. For the bay curved card is needed, at least at one end.
I bought the wallpaper and some rugs from Miniatureville and I think the paper is printed on 120 card or there abouts, so is good to handle and keep smooth. Using glue sticks to attach wallpaper onto the 1.4 mm card in the hope that it can’t stretch and distort quite so much if a dry glue is used. I do have problems with glue sticks at the edges; however much I apply, the edges do tend to lift, but we’ll see.
Been trying to find out who lives here
The mini house inhabitants
I’ve been unable to sort this out and have gone ahead, rolling with it as the mood takes me hoping that something will come to mind. The question is who would live in the “here and now” surrounded almost entirely by the “there and then” (other than me)? I think, in a root around to make some sense of the room settings and objet d’art, it might be just possible that these (invisible) folk are a family of re-enactors who have selected to live mostly in the 1930 – 50s period, but have the sufficient bits of tech lying around too to be active in the here and now. Anyhoo the resultant anachronistic mix will leave scope for fairly hard-line Deco furniture attempts and décor plus the odd tablet and mobile phone too. I’ve a feeling that this, despite my best efforts, is going to look kitsch and clunky but fun to do all the same.
The imagined next door semi (should it ever get built) is occupied by folk chasing a fashion and is much more up-to-date in its results, I think, with modern bay windows and walls knocked through etc.
Reenactors Directory – have already linked to this in the text but it’s well worth a visit if you’ve not had a look 😉
I’ve spent most of the recent mini-ing time on roof-ful brooding.
Still mithering on
Going round and around in circles trying to keep things simple but give access to light controls and the loft rooms.
- Top of the list would have been to have my brain checked: too late for that
- Most favourable and practical would be an all-in-one, simple roof that is totally removable: not gone for simple roof so that’s out
- Next would have been to split it in two halves both of which would be removable and have them meeting at the ridge: that messes up the ridge and wasn’t sure I could work that out
Working with what’s there
Best way out is to ignore it while it cooks away in the old brain box and do something else so I fiddle with the carpet across the great hall table. The hanging edge needed weighting in some way as it wouldn’t lie flat.
And now the roof so far
The second bedroom
In the last photo you can see the boxing in on lower left two-thirds, hiding the robust fairy light wiring that lights the rooms down below and the door at the left is the mock one for the alleyway torch controls. I don’t much like rooms with lots of doors in them (or open wardrobes for that matter) but the two mock doors are to ‘dead’ areas in the loft.
Solution to part of the roof problem
Another ‘something else’ activity
Finally got round to dressing the room properly more or less.
A bit of lots and none at all, but suspect my brain is now going to be incommunicado until such time as this roof is finally fixed.
See you then 😉
Scene hijacked by the 40th doll
but that’s OK
At the last count there were 39 dolls in various scenes around and about Hogepotche Hall and I fancied rounding it up if it could be done without making it look too forced.
I returned to the dairy back doorway. It has struck me from the beginning of this room that it was inviting something to be happening there but I couldn’t work out what. So that’s where I’ve sat the last doll, a less than 3″ little girl, sitting playing with her doll and a hunk of bread.